Find my newest literary and art theory essay, titled "'Neither shadow nor ambience': The Art of the Unfamiliar Bibliography in Lew Thomas's Bibliography 2 and Bibliography 3," here!

"In the 1970s, Lew Thomas showcased a series of photographs, including Bibliography 1, Bibliography 2, and Bibliography 3, to the public. Each photograph presents a complex situation in its framing of the conventional academic bibliography as an art object . . . Thomas’s artworks, especially his Bibliography 2 and Bibliography 3, usher viewers to unconventionally witness the conventions of form, and thus, by reading the bibliography through his artistic lenses of structuralism, Marxism, and institutional critique, the bibliography becomes a site for discourse, interrogation, and change."

My artistic practice, as "Autonomous Autopsy," will be published in Practice Sharing III: Language-based Artistic Research in 2026 through Society for Artistic Research (SAR)/Research Catalogue (RC).